Solo-Duo
Chamber (3-5 musicians)
Ensemble (6 and more musicians)
Vocal
Theatre
Orchestra
All works in chronological order:
Vitamin B-52 & freedom fries (2022)
Written for The Interstring project, commissioned by Sound Plasma festival
5 electric guitars
Ca: 14’
Hurreh (2022)
Written for Estonian Philharmonic Chamber Choir
for 12 voices (SSSAAATTTBBB)
Ca: 13’
Hommage á Alvin Lucier (2021-22)
Written for Ellen Fallowfield and strings multiphonics project
e-guitar, cello & piano with looper pedals
Ca: 14’
Contains strong emotions and explicit sounds(2021)
For Ostrava New Music Days Festival and ENMT
Commissioned by Ernst von Siemens Music Foundation
fl, cl, sax, tbn, vln, vla, vc, cb and Harmonium in 6th-tone tuning
Ca: 19’
Hommage á Georg Friedrich Haas (2020)
For Sound Plasma festival
2 pianos tuned quarter-tone apart
Ca: 12’
may contain choking hazard (2020)
For Estonian Music Days festival and YXUS Ensemble
any percussive thing with looper pedal
Ca: 14’
Gā Geriv (2019/2020)
for 4 flutes or solo flute with pre-recorded flutes
Ca: 13’
Instruction Manual of How To Learn Stop Worrying and Love The Bomb in 5 minutes (2019)
For ISCM music days and Estonian Music Days Festival
DefuneEnsemble (four Japanese toy instruments)
Ca: 15’
Exponential Decay, or there’s nothing to see here (2019)
For Schallfeld ensemble
Ensemble and electronics (fl, cl, sax, keyb, perc, vln, vc)
Ca: 15’
NAKBA (2018)
For Estonian National Symphony Orchestra
Large orchestra (4,4,4,2,4,4,4,1,0,0,4,16,14,12,10,8)
Ca: 17’
Stromateis: …Lessness… (2017)
Written for Ensemble L’alternance
flute and clarinet
Ca: 13’
of that which is (2017)
Written for Ensemble for New Music Tallinn
fl, cl, sax, trmb, vl, vla, vc, cb
Ca: 15’
Stromateis: …emergence… (2017)
for Ensemble du Bout du Monde
4 soprano saxophones (or solo saxophone plus pre-recordings)
Ca: 17’
Propagation of Uncertainty (2017)
Written for Erik Drescher
4 flutes with glissando headjoint (or solo flute plus pre-recorded instruments)
Ca: 12’
STATIONARITY, on temporal motions (2016)
Written for NexeDuet
2 percussions (temple/woodblocks and 2 marimbas)
Ca: 15’
Dispersion (2016)
Written for Neophon ensemble
qanun and 13 instruments (fl, ob, cl, bsn, hrn, trmp, trbn, pno, 2perc, 2vlns, vla, vc, cb)
Ca: 22’
… plenty of nothing to add … (2016)
Written for Brice Catherin
viola and cello with curved bow (optional)
Ca: 13’
Aphorism (2016)
Written for Ensemble Lemniscate
flute, clarinet (optional bass clarinet), violin, cello, piano
Ca: 15’
Transmittance (2015)
Written for Ensemble Vertixe Sonora
flute, sop Saxophone, elec-guitar, percussion, piano, violin, cello, contrabass
Ca: 13’
Sho’ebadeH(2015)
Written for MoA project
for 3 musicians on stage (flexatones+slide whistles)
Ca: 11’
Dimension IV, Pulsations (version B) (2015)
Written for Ensemble Proton Bern
flute, lupophone (or saxophone), clarinets, contraforte (or contrabassoon), violin, cello
Ca: 12’
Dimension IV, Pulsations (version A) (2015)
Written for Ensemble Proton Bern
flute, lupophone (or saxophone), clarinets, contraforte (or contrabassoon), harp, violin, cello
Ca: 14’
Qazaliât (2015)
Written for Ensemble Resonabilis
flute, mezzo soprano, kannel, cello
Ca: 12’
Demodulation (2014)
Written for Ensemble for New Music Tallinn
flute, oboe, clarinet, violin, viola, cello
Ca: 11’
Variations on a theme by R. Beppel (2014)
Written for Ensemble for New Music Tallinn
9players with individual click-track system
Ca: 10’ (No. 1)
ANAMORPHISM, Hommage à Gustav Mahler (2013 )
Written for Moscow Contemporary Music Ensemble
flute, clarinet, violin, cello
Ca: 13’
Convolutional Emergence (2013)
Written for Royaumont Voix Novelles; Namascae Lemanic Modern Ensemble
violin and percussion
Ca: 17’
Aus tiefer Not… (2013)
Written for Wiktor Kociuban
solo cello
Ca: 20’ (10’+10’)
Recordatio (2012/2013) In memory of Amirhossein Malek
Written for Wiktor Kociuban and Patrick Stadler
Duo for cello and saxophone
Ca: 16’
Intermodulation (2012)
written for ensemble Resonabilis
alto flute, mezzo soprano, kannel(or hckbrett), cello
Ca: 16’ 30“
Acoustical Modelings (2012)
written for Ensemble Phoenix Basel
15 musicians (fl, ob, cl, bsn, hrn, trmp, trbn, pno, 2perc, 2vlns, vla, vc, cb)
Ca: 17’
Dimension II, Destruction (2012)
written for Ensemble U:
for six musicians plus pre-recorded instruments or 18 live musicians
flute(1+3), clarinet(1+3), piano(crotales), percussion(crotales), violin(1+3), cello(1+3)
Ca: 19’30“
Finite Functions of The Infinitive Sets (2011)
written for Helena Tuuling
for four clarinets
Ca: 13’
Constructive Interference (2011)
for 12 timpani (4 players)
Ca: 13’30“
Dimension III, Heterodyne Structures (2010)
for string trio plus pre-recorded instruments or 12 live strings
violin (1+3), viola(1+3), cello(1+3)
Ca: 11’
Dimension I, Construction on Time (2010)
written for KMH sinfonietta project
for ensemble fl, ob, cl, bsn, trmp, hrn, tuba(or trbn), perc, vln, vla, vc, cb
Ca: 9’
Stain (2010)
for violin, or orchestra, or violin and orchestra
(2,2,2,2,2,2,0,3,8,8,6,4,4) and/or solo violin
Ca: 10’-15’ (modular versions)
Stain (2010)
for violin solo
Ca: 10’(modular versions)
Stain (2009)
for orchestra (2,2,2,2,2,2,0,3,8,8,6,4,4)
Ca: 10’-15’ (modular versions)
Christmas Presents (2009)
written for Helena Tuuling
for piano and/or clarinet
Ca: 7’
Music for strings (2009)
for 12 string instruments
Ca: 10’
Heterotopie (2008)
for wind orchestra
Ca: 12’
Clarinet Quartet (2008)
for clarinet and string trio
Ca: 11’
Geometric Figures (2007/2008)
for piano
Ca: 12’
4 Songs (2007)
for piano and bariton, piano and soprano
Ca: 8’
arash yazdani 